If you’d told my child-aged self that one day I would embark on an academically sponsored research trip to Scotland to investigate fairies [and their representation in three paintings by a particular Scottish artist], she…probably would have shrugged and said “well, it’s not as good as finding a portal to a fay kingdom, but it will do.”
As someone who grew up fascinated by fairy lore, I find Victorian fairy painting such a compelling and strange epoch of modern artistic production. For one relatively brief nineteenth-century moment, winged creatures of fantasy held centerstage in the world of fine art – occupying monumental canvases typically reserved for history painting. I won’t reveal too much about my particular research angle yet, but through a number of museum and library visits in Edinburgh and Glasgow, I’ve discovered some truly fantastic archival material to help me on my journey.
The experience of seeing these three J. N. Paton paintings in person after studying them for so long, of course, may be as close to real magic as I’ll ever get.